DISCOVERY
A 30–45 minute call to understand what you do, who buys it, and what the video has to achieve. The working brief comes from that call, not from a form.
VIDEOSAREN'T WATCHED.THEY'RE REMEMBERED.
Independent filmmaker in Crema, Italy. I make the videos that stay — brand films and corporate videos shot with the care of cinema. You always work directly with me, from first meeting to final delivery; for larger productions I bring in a selected crew. Alongside wineries, hotels and companies that care how they are told, across Italy.
Seguito da me, un solo interlocutore, dalle riprese alla consegna.
Accetta la privacy per sbloccare l'invio.
- 1Racconti il progetto
- 2Lo guardo con calma
- 3Ti rispondo io, non un team
FEATUREDLATEST CASE STUDY
Studio Balestracci Beltrami
Sound arrives before the image. Like trust, before words.
THE PROCESS
QUESTION · STORY · REVEAL
VISUAL STRATEGY
Definition of the visual language, narrative tone and direction. Mood, palette, visual references, story structure.
PRODUCTION
When the project calls for it I build the crew on the single job: camera operator, gaffer and lighting, sound, editor, colorist, drone pilot (SAPR) and photographer. Otherwise I work solo — lightweight setup, real-time decisions, lower cost.
POST & DELIVERY
Color grading in DaVinci Resolve, sound design and mix, finalization in the required formats (broadcast, social, web). Delivery through the FPH private client portal, with approval.
03 / WHO'S BEHIND IT
Filmmaker — Founder
I had a camcorder in my hands at four. The first videos were family ones — today they're the milestones of my path. I've never stopped.
I'm Sicilian, I live in Crema, and cinema is my obsession: I live it, I study it, I feed on the vision of those who make it. Not to imitate it, but to bring its feeling inside companies.
FPH stands for Floridia Photography: my surname, my signature on every project. Because everything, for me, starts from photography — the cinema kind.
I believe brands don't need another video. They need a story worth being a film — because you look at an image, but you remember a story.
Spots, brand films, corporate videos, heritage: I always start from colour — colour grading is my root — the point where a video stops looking like footage and starts feeling like a film. You always speak to me, from the first idea to delivery. For larger projects I build a dedicated crew.
